Influenced by eco-feminism and body politics, her work often begins with natural elements such as rope, stones, and bamboo. Merging Eastern corporeal aesthetics with contemporary performance vocabularies, Hanyu creates sensory experiences defined by slow, restrained tension. Through performance and installation, she reveals subtle dialogues between the body and nature, inviting emotional resonance and philosophical reflection on states of connection. She also engages with rope bondage as a healing medium—one that opens up conversations between individual psychological experiences and socially constructed norms.
Hanyu frequently collaborates with community-based art platforms and cross-cultural contexts, aiming to amplify the visibility of queer bodies and shift rope bondage from private settings into public discourse—as a form of social, artistic, and political expression.
王晗昱（1998年生于中国浙江）是一位多领域发展的艺术家，现工作与生活于伦敦。她的创作涵盖身体行为、装置艺术以及自然材料的干预实践。以绳缚作为核心艺术语言，王晗昱持续探索人与自然、身体与物质之间的牵引与缠绕，构建关于控制、亲密、生态与权力的叙事。
受生态女性主义与身体政治影响，她的创作往往从绳索、石头、竹子等自然媒介出发，融合东方身体美学与当代表演语汇，营造出缓慢却充满张力的感官体验。她通过表演与装置艺术，捕捉自然与身体之间的微妙对话，唤起观者对于“牵系”状态的情感共鸣与哲学思考。她也将绳缚视为一种疗愈性的媒介，在对精神状态的个体经验与社会建构之间进行审视与回应。
她经常与社区艺术平台及多元文化背景展开合作，致力于提升酷儿身体的可见性，并推动绳缚艺术从私人空间进入公共语境，作为一种社会性、艺术性与政治性的表达方式。